Old School Art from DCC RPG

Goodman Games has been releasing a series of sneak previews featuring the work of various old school artists that appear in the forthcoming Dungeon Crawl Classics RPG. Even if you have no interest in the game itself, perhaps names such as Jeff Easley, Jim Holloway, Diesel LaForce, Russ Nicholson, and the late and sorely missed Jim Roslof can entice you to stop by the website and see what these fine artists have done lately.  

“R is for Roslof”

When I learned that Jim Roslof was ailing, I sat down to write him a card. I had never met the man, but he was one of the cadre of old school artists Joseph Goodman wrangled together to contribute artwork to The Dungeon Alphabet. I’m certain that for Mr. Roslof this was just another illustration gig, one no different from the many he had done over the years. For me, however, the fact that this artist, one who was responsible for so many iconic illustrations in TSR’s heyday, was participating in my first professional book was mind staggering. I had never been able to express my appreciation directly and I wanted to do so before it was too late.

The card that I sent Jim and his wife, Laura, was not one of condolences or best wishes in times of trouble, but a simple “Thank You” card. In it, I expressed the heartfelt joy and boundless wonder that Jim’s work had engendered in me over the years as well as my sincere gratitude that his work graced the pages of the Alphabet. Unfortunately, from what I’ve read, it is highly likely that Jim had already slipped into unconsciousness before my card made it to Wisconsin, so I fear he never got a chance to read my words. I can only hope that they were of some small condolence for Laura Roslof and that the card was just a drop in a torrent of well-wishes, support, and thanks.

There has been a bevy of remembrances and tributes to Mr. Roslof over the last few days—and he deserves all of them. His contributions to the hobby are immense, even if he didn’t receive the recognition that other TSR artists from that era commanded. And although glory may have eluded him, so many of his pieces helped define D&D and the fantasy roleplaying experience that it is almost impossible for gamers who got their start in the late 70s and early 80s to separate those images from their own memories.

From what I’ve read recently, Jim wasn’t only responsible for ushering in the next wave of influential fantasy artists at TSR, men with names like Holloway, Elmore, Caldwell, and Easley. He was also a great boss by some accounts. Jim Holloway said he was the best boss he ever had and shared this picture he took of Roslof during his tenure as art director:

How could you not love and respect working for a boss like that?

When I got my author’s copies of The Dungeon Alphabet, I had a brief moment of déjà vu as I flipped the pages. Seeing Roslof’s work inside the book took me back to my youth and I remembered the sense of wonder I experienced then while leafing through a new module and seeing his awesome illustrations waiting for me. I could almost taste the Red Hots candies and the Snapple Crystal Cola.

Jim’s art had a way of expressing both the "otherness" of a world populated by monsters and magic as well as the sense that his subjects were not heroes, but hard-working regular Joes looking for that one big score. He often took us into the middle of the action, his subjects portrayed in media res, leaving it up to the observer to determine what led to the image he was now witnessing and to conjecture on what would happen next. This mixture is why I particularly love his piece for “I is for Inscriptions” from The Dungeon Alphabet.

As a bibliophibian, archivist, and writer, words are important to me. They play a pivotal role in any game I run, often possessing great power and hidden secrets. I use inscriptions, books, sigils, and signs with great frequency, and having Jim do an illustration that could easily have come out of one of my own games was immensely cool. That it also depicts his usual mixture of the odd and the ordinary was utterly wonderful. Correct or not, I will always consider this piece to be my own, personal Roslof work. I only wish he could have known how much it touched me.

I could keep saying it year after year and it would never be enough. Nevertheless, I’ll say it again: Thank you, Jim, for everything. I’m sorry I couldn’t have said it to you in person, but thank you especially for “I is for Inscriptions,” my very own piece of your incredible magic.

Jim Roslof is Gravely Ill

I know this rumor was going around not too long ago, but it appears there is further confirmation from Steve Sullivan, the old friend of Jim Roslof who first mentioned it on his twitter account. According to sources, Sullivan has posted this on his Facebook account:

Old friend and former TSR Artist/Art Director Jim Roslof is rapidly losing his fight with cancer. His wife, Laura said cards are welcome and seem to cheer him up. Please send kind thoughts to: Jim & Laura Roslof W5409 Kenosha Dr, Elkhorn, WI 53147

In addition to Jim’s work as TSR’s Art Director, he produced many iconic images that graced the pages and covers of various D&D books over the years. I fear that despite his hard work and talent, his efforts were often overshadowed by some of the other luminaries working for TSR in the early days.

Mr. Roslof was one of the legends who contributed work to The Dungeon Alphabet, something I’m very grateful for. And not to dismiss the other great artists whose work fills the pages of my professional debut, but Jim’s take on “I is for Inscriptions” and “P is for Pools” are perhaps my personal favorites of all the illustrations. He truly sums up the old school adventuring experience with those two pieces.

My hopes and prayers for a miracle go out to Jim and his family.